Armando Nigro was born in Catania in 1969, he lives in Avola in the province of Syracuse where he works. Since his early beginnings in collective exhibitions he has achieved awards with critical appreciation including Sgarbi, Paolo Levi, Melinda Miceli. Awarded in chronological order: Artist of the year 2017 Cefalà Diana, Palermo, Salerno art certificate with Sgarbi artistic direction, Expertise Competition Certificate of authenticity by Paolo Levi, to the work "Sguardo Barocco", Artistic merit year 2018, Prima Art Collective in Palermo capital of culture 2018. Second place in the Visual Arts section of the International Literary and Artistic Certamen on Cathedrals, organized by the art critic Melinda Miceli among 50 participants with the hyper-realistic work entitled, “Scroscio del barocco "made with a mixed technique pencil on canvas and oil colors. Winner of the drawing section at the International Art Prize Giotto with the work" Look at me: "For the scenic pathos and the iconic topicality fixed in the prodigious drawing". The artist who is one of the founding artists of Certamen is also curated by this organization and for some time has been in the limelight of critics as one of the greatest promises of Sicilian art. nsi "was presented at the 2020 virtual catalog event on the" LOVE against DEATH "pandemic organized internationally by Luz Cutural and Arts direct, with the moral patronage of the Encyclopedia of Italian Art, Templari Federiciani, Explorer of art, Globus magazine, Sarno city Festival. Honorary artistic director Dr. Melinda Miceli, art critic and journalist. For the artistic communicative capacity of the representation it reveals its uniqueness in depicting an Egyptian correspondent of the well-known eye of Horus and at the same time demonstrates the undeniable existence of an evolved and Arcane civilization, where the five senses are faculties of the soul, whose number it must not be considered absolute or definite. The boundary between the senses in the structure of the figuration becomes relative in enveloping itself and in wanting to show how each sense is connected with one of the seven planes of manifestation; hearing on the physical plane, touch on the astral, sight on the mental, taste on the intuitive, smell on the spiritual, but it pervades all the other senses, which therefore are on all planes. The senses are ways of spiritual approach to the various aspects of the divine manifestation in the worlds of human evolution, otherwise sealed and unknown to the experience of the soul, thus allowing to distinguish the real from the unreal. Horus was the falcon god, the one who excelled over all others. In the earliest period Horus was also a god of hunting, beauty, art, prophecy and music and in more recent times, after complete assimilation with the god Ra, he had become the god of the sky. The right eye represented the sun while the left one represented the moon. The work evokes the theme of the awakening of the ghost towns of today, where time has stopped and the inhabitants motionless in the fixed temporal have had to leave their occupations suddenly. In our ghosts towns only the eye of the sky can open cosmological visions, giving mortals a glimmer of Knowledge to rediscover through “all the senses” that part to which the confused and lost human mind has always lied. Dr. Melinda Miceli art critic