Frammenti, a composite work of digital art, winner of the digital graphic arts section at the Giotto International art prize, talks about “geometric fabrics, irregular polyhedra with celestial, cold and warm colors, of various sizes, in tridimensional geometries. Like dynamic inlays of a mosaic, they unravel, cracking and revealing the figure of a woman who, with her generating and semi-occult, shaded and discreet presence, begins life transmuting the glacial and disordered chaos. A coloristic hymn to women as Archetypes of life declined in nuances that become moldings of a hope of assumption and joy to dispel the dark shadows of a repressed destiny that sees in those fragments of memory the human search for redemption and resurrection ". The artistic path of Sandro Masala manifests in his figurations, prophetic revelations, apocalyptic and visionary dreams placed at the end of time, in which the clash between two kingdoms and two cities takes place: the city of evil, satanic and the city of good, the city ​​of God scourged and outraged. Dott. ssa Melinda Miceli Critico d'arte